Back in N. It is from the musical Sweet Adeline. After Roberta Kern wrote principally for films and CD 2 covers that period excellently. Kern was nominated eight times for an Academy Award and won twice. My sister had the EP and played it to excess, I thought then.
Hearing it again after all those years I can establish that it has aged beautifully. From all points of view this is a great compilation. The songs have stood the test of time, the recordings are chosen for both historical and artistic reasons.
The Song Is You | Frank Sinatra Wiki | FANDOM powered by Wikia
Those I have mentioned specifically are either personal favourites or songs with some interesting facts surrounding them. The documentation is, as usual with these Retrospective issues, comprehensive and the transfers excellent. Preview — Sinatra! Drawing upon recent interviews with Sinatra collaborators, arrangers, and musicians - as well as previously unpublished conversations with "The Voice" himself - author Will Friedwald chronicles this five-decade career, tracing the evolution of his vocal style from such ear Sinatra!
Drawing upon recent interviews with Sinatra collaborators, arrangers, and musicians - as well as previously unpublished conversations with "The Voice" himself - author Will Friedwald chronicles this five-decade career, tracing the evolution of his vocal style from such early influences as Harry James the bandleader who in the late thirties "discovered" Sinatra in New Jersey's Rustic Cabin , Tommy Dorsey, and Axel Stordahl, with whom Sinatra recorded his first string of solo hits.
With the orchestrations of Nelson Riddle in the fifties came a more hard-swinging, uptempo Sinatra; the creation of his own label, Reprise Records, in the sixties gave him the venue to experiment with such unexpected forms as soft rock and psychedelia. Friedwald argues that Sinatra's recordings in the two decades following his to retirement weren't as prolific or as consistent as his earlier work, despite a startling comeback that culminated in the s with the platinum-selling Duets discs. Get A Copy. Hardcover , pages. More Details Original Title.
Other Editions 7. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Sinatra! I really want to read this book, but it seems to be out of print and available only for over a hundred dollars.
If anyone has a tip on where I could get it for cheap, please message me! Oh, my question needs a question mark, so here it is? See 1 question about Sinatra!
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Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Rating details. Sort order. Jun 15, Chuck Zak rated it liked it. Time to trot out a Yogi Berra quote "If you like this sorta thing, this is the sorta thing you'll like," or words to that effect.
Basically, if you're more interested in Sinatra's drummers and arrangers than in his lovers and Mob friends, this is a book you will enjoy. The fun is all in the facts. Each era of Sinatra's career is covered in detail, with plenty of attention to his arrangers and the musicians he used, and the book reads like one looooong record review. And though the fawning tone wa Time to trot out a Yogi Berra quote "If you like this sorta thing, this is the sorta thing you'll like," or words to that effect.
And though the fawning tone was a bit much at first, it kinda settled into a groove once Friedwald got into details and had specifics to hang all those words of praise upon. I for one enjoy reading record reviews, especially when they are either really positive or really negative, so this book had the same effect.
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And Friedwald does a good job of explaining why I should be as enamored of Frank as he is, which makes me want to listen to everything he is discussing, which is exactly why I enjoy reading about music. And the author isn't afraid to get tough with Sinatra over his less successful efforts, which multiply once you get past the glory years of the Capitol Era and early Reprise stuff. Unfortunately, as Sinatra's quality gets more erratic, Friedwald gets more cranky toward every other artist who isn't Sinatra - and he repeatedly airs his total disdain for any contemporary pop, sounding way more like an out-of-touch coot than he is the dude was only in his mids when he wrote this.
His writing too is peppered with a lot of weak attempts at hep-cat humor which are distracting and not very funny. Just tell the story. But it is a great story, and the mammoth Sinatra catalog is breathtaking in its sheer size and in the amount of incredible music contained within. Just reading about all the albums and songs and live dates and airchecks was exciting, if only to promise a depth of experience beyond those classic hits and classic albums for the curious Sinatra fan.
But still, it is very impressive and a great testament to a bygone era. But I digress… So, a good read, but only for a small audience.
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Jul 16, Bill rated it it was amazing. Sinatra is one of the most important musicians America produced in the 20th Century, and it is much more interesting to know that the valve trombonist on "Night and Day" was from the Ellington band than it is to read about a bodyguard smashing a photographer's camera.
Freidwald tells us about song structure, and recording sessions, and the musician's strikes and recor Sinatra is one of the most important musicians America produced in the 20th Century, and it is much more interesting to know that the valve trombonist on "Night and Day" was from the Ellington band than it is to read about a bodyguard smashing a photographer's camera.
Freidwald tells us about song structure, and recording sessions, and the musician's strikes and recording bans, and the aesthetic decisions and stylistic choices Sinatra and his various arrangers made; contrasts versions of different songs there's a great discussion of how "Night And Day"'s structure works. If I have a criticism, it would be that at times Freidwald is a little too inside baseball.
I've been listening to this music for years, including Sunday mornings spent with Jonathan Schwartz's scholarly discussions, but some of this discussions of available in England only airchecks, e. A pleasure, even if the writing is sometimes a little too cute for its own good. Feb 22, Spencer Rich rated it did not like it Shelves: gave-up.
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The idea is good. Instead of Hollywood gossip, tales of slugging reporters, and bouts with Ava, why not write a book that focuses entirely on his output as a singer? However, the execution is about as bad as you can get. It is full of bad puns, clumsy sentences, non sequiturs, and any excuse to use a reference to a song lyric. He insults any rock-era musician or songwriter, despite the author's not looking older than mid's when this was published sometime in the early 90's. How many people The idea is good. How many people born after think of the Beatles as "kiddie pop"? Just to give you an idea of how bad this is, when discussing Neil Hefti, who after working with Frank wrote the Batman theme, he actually writes "Holy foreshadowing!
And the facts that he's gathered from interviews are exceptional. It's just hard to believe that he could write this, read it, and still think "Yes! This is great writing!